Photography: Matt Crockett Avenue Q returns to the West End and it’s still a great fun night out – review Avenue Q may not be quite as shocking as it was 20 years ago, but it’s still provocative, still delightfully subversive. Chris Selman • Review
Photography: Marc Brenner The Authenticator asks important questions about identity with a surprising amount of humour - review The Authenticator bills itself as “a gripping gothic psychological thriller” and the setting fits the bill. Chris Selman • Theatre
Photography: Sarah Lee Lesley Manville and Aidan Turner star in bold new staging of Les Liaisons Dangereuses - review There’s some wonderful acting to be seen in this powerful exploration of control and manipulation. Chris Selman • Theatre
Photography: Matt Crockett Johannes Radebe and Matt Cardle star in new revival of Kinky Boots at London’s Coliseum - review GAY TIMES gives Kinky Boots - 4/5 Chris Selman • Review
Photography: Johan Persson Beverley Knight lights up West End in new musical Marie & Rosetta - review "At times, Marie & Rosetta feels less like a musical and more like an intimate Beverley Knight concert - which of course is no bad thing," writes Chris Selman. Chris Selman • Culture
Dua Lipa’s Radical Optimism Tour cements her status as a live powerhouse Listen. Twenty-two degrees in the UK is pushing it for me. Hit 25, and I’m kinda unbearable to be around. And 30? Don’t touch me, don’t look at me — don’t even think about me. I’m busy trying not to spontaneously combust. (I’m extremely weak Sam Damshenas • Culture
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